The Tansey Miniatures Foundation

The Tansey Miniatures Foundation

Lady in White Dress with Blue Sash

William Wood

William Wood, one of the most brilliant English miniature painters of the late 18th century, painted this portrait of a young lady which is now in the Tansey Collection. The sitter’s glance is directed into the distance, which makes her seem self-confident and independent. The blurred cloudy sky in the background suggests freedom of thought and removes the sitter from her earthly environment.1 Wood’s notes, which cover the period from 1790 to 1808,2 indicate that he painted over 1,200 portrait miniatures. He developed a painting technique which captured the sitter with quick, competent brushstrokes in a few colours. The sitter’s hair and clothes were broadly but effectively painted. Thus he was able to finish works much quicker than French miniature painters, and to add a fascinating lightness to his pictures.
B. P.

In late 18th century England, a cloudy sky was a very popular background motif. Cf. inv. nos. 10112, 10125, 10232, 10239, 10648, and 10647.
The three-volume manuscript (National Art Library, London) contains the names and addresses of Wood’s sitters, the dates on which the works were finished, and information about prices and particular painting techniques. It is an exceptionally valuable document. On Wood's cooperation with his assistant Henry Stubble (1755-1806), see the online article by Simon Francis Brown (accessed August 16th, 2023): https://simonfrancisbrown.com/a-portrait-of-james-fletcher-1768-1800-by-william-wood-and-henry-stubble/